Downtown Providence – A Nostalgic Stroll Down Westminster Street

When I was an art student at the Rhode Island School of Design, I loved exploring downtown Providence and taking photographs. In celebration of the 40th anniversary of my RISD graduation on May 24, 1980, I’ll be posting a series of blogs looking back – featuring historic photos and postcards. The first blog is about Westminster Street and some of the wonderful landmark buildings that still exist. Also included are now-defunct businesses I encountered during my RISD years, as well as long-forgotten ones from the late-18th to early 20th centuries. I fondly remember walking on Westminster all the way past downtown to Olneyville to buy jewels at Wolf E. Myrow. During my RISD years, the portion of Westminster in downtown Providence was a pedestrian mall and closed off to vehicles. I loved the somewhat seedy quality of downtown Providence and would likely bemoan its gentrification if I returned. Department Stores Woolworth: Located at 185 Westminster in a five-story building from 1920, I would buy things at this five and dime now and then, but it didn’t have the charm of my favorite Chicago Woolworth store.     Thom McAn: I remember this retail chain on Westminster since it was near Woolworth, but I never went inside nor purchased shoes from this brand. Their retail stores closed in the late 1980s after being bought by K-Mart and subsequently Sears, who still sells this brand – that doesn’t bode well, although I think Walmart also sells them. Lerner Shops: Located in the former Wilkinson Building (mentioned separately later) at 210–216 Westminster, I never shopped here, nor at the location on State Street in Chicago. Founded in 1918 by Samuel A. Lerner and Harold M. Lane in NYC, New York & Company purchased the company in 2004 and they’re still in business.   …

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10 Female Artists I Didn’t Learn About in Art School

I’ve been reading old Art in America issues and it hit me like a ton of bricks that I learned only about a handful of female artists at the Rhode Island School of Design (RISD). I do remember the visiting artist Jackie Winsor talking about Eva Hesse and Ana Mendieta. On the other hand, we were introduced to many female authors and several famous ones gave lectures. I met Elaine de Kooning, who was a guest lecturer during my art history class with Baruch Kirschenbaum freshman year. She showed us photos of the sketches for her commissioned JFK painting, among other pieces. It made sense that she was invited to RISD – apparently she was tight friends with Lee Hall, then president of RISD. Hall would betray her good friend four years after de Kooning’s 1989 death from lung cancer in her book, Elaine and Bill: Portrait of a Marriage / The Lives of Willem and Elaine de Kooning. By all accounts, this was a salacious, tell-all, shoddily researched book with mediocre writing that was butchered by critics. I think the reason we didn’t learn about more female artists was tied to the era in which I went to RISD, 1976 – 1980. Moreover, many female artists who later gained fame were virtually unknown when I was in art school. So in honor of Women’s History Month, here are 10 trailblazing female artists I’m glad I learned about – better late than never. This list barely scratches the surface, but it’s a start.   Grace Hartigan (1922 – 2008): I certainly was aware of Helen Frankenthaler and Joan Mitchell, but somehow didn’t know anything about Hartigan until recently. Interestingly, she was the first female Abstract Expressionist to gain fame in 1950, when art critic Clement Greenberg and art historian Meyer…

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The RISD-Chicago Vintage Party Favor Connection

  My friend Barbara recently sent me a stack of old student newspapers from our days at the Rhode Island School of Design (RISD). Perusing these was an enjoyable trip down memory lane and I certainly plan on mining these for future RISD and Providence-related blogs. I uncovered a completely unrelated, unexpected, and delightful surprise in the October 28, 1977 Halloween issue. Lo and behold, one of the contributors included visually-intriguing catalog pages from Van Housen’s Favor Co., Inc. My assumption is that they found this in the RISD clipping room (now called the Picture Collection), a wonderful historical archive of all sorts of paper ephemera. Naturally, the cool-looking graphics beckoned to the sleuth in me and I had to do further investigating. Dennison Was Primary Competitor Van Housen’s was a Chicago-based company located at 81 W. Lake Street. Their primary competitor was Dennison Manufacturing Company which was founded in 1844 by Colonel Andrew Dennison. They opened their first store in Chicago in 1864, with subsequent store openings in the 1870s in Boston, New York, and Philadelphia. Although Dennison already had a longstanding reputation for manufacturing high-quality paper goods, it was crepe paper decorations that set them apart. If you recognize the Dennison name, it’s likely because the company merged with Avery International Corp. in October 1990.   I couldn’t find definitive dates when Van Housen’s was in business, but I did uncover ads from 1922, 1923, 1924, and the 1930s. I also uncovered an interesting article on crepe paper decorations that appeared in the Autumn 1924 issue of Fort Dearborn Magazine, with excerpts below: During the holiday season when entertaining is the order of the hour, many a social affair is given festive background by the use of appropriate crepe paper decorations, favors and novelties. While the demand for…

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Art Supply and Camera Stores That Are No More

Favor Ruhl 425 S Wabash 1910 and 1938

I wasn’t born with a silver spoon in my mouth, I was born with a crayon in my hand. By the time I was 5-years-old, I was drawing all sorts of things on cheap yellow paper my dad bought by the ream. The crayon was replaced with ballpoint pen, magic markers, colored pencils, pastels, paint brushes, sculpting tools, and by age 12, darkroom equipment. Going to art supply and camera stores as a kid was nearly as glorious as walking up the street to the corner store to buy my favorite candy. That’s right, for many artists and/or photographers, a visit to an art supply or camera shop is like unleashing an overzealous kid in a candy store! Nowadays, it’s hard to find old school art supply and camera stores – many have closed. In Chicagoland, you can buy art supplies at Dick Blick, Hobby Lobby, Michaels, JOANN Fabric and Craft, and a handful of small shops. Of course, you can always buy art supplies online, but it’s not the same experience. I first encountered Utrecht in NYC and later shopped at the store on South Michigan Avenue. Utrecht is now partnering with Dick Blick, although they are still doing business online independently. My favorite Chicago-area store is Artist & Craftsman Supply, an employee-owned shop in the old school model – while there are stores across the U.S., the Chicago location at 828 S Wabash reminds me of defunct stores of my youth. Good’s of Evanston is an independent store that has been in business for more than 100 years. It’s more renowned for its framing services and has a certain slick look these days that is the antithesis of old school. Thank heavens for Central Camera, a truly iconic old school store in the South Loop that has been…

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Seeking Francesca Woodman – Retracing the Past

It Must be Time for Lunch Now, 1979

“The work she produced in her short life is 100 times better than anything you have created or could ever create!” Those were the cruel, harsh words that were hurled at me from my 20-year-old daughter’s insolent lips in 2007. The occasion was a visit to the Tate Modern in London and the discovery of an Artist’s Room dedicated to Francesca Woodman. It was hard to process everything I was feeling when I saw those photographs. Difficult because my daughter’s post-teenage angst overshadowed what became a trip from hell, but also because I had somehow forgotten about Francesca in the context of my four years at RISD. I am not sure why it has taken me so long to write about this – perhaps I needed the distance and perspective of the passage of time. Or the sheer volume of online content could have dissuaded me – 567,000 Google hits on Francesca as of April 2015, and counting.

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Reflections on a New York City Christmas

WashingtonSquare Park - Christmas 2012

I have been experiencing a wave of nostalgia – it comes with age and recent losses of dear friends and our beloved little kitty Pepper. For me, the holidays seem to inspire reflections on the past – thinking back to how much New York City used to mean to me at Christmas. I have been digging up wonderful Christmas-related NYC photos from the Library of Congress and decided to delve into my own archives to see what I could find. When I was a child and up through about 2004, my parents would visit NYC every December for an annual psychiatric meeting at the Waldorf Astoria. While my dad was attending lectures, my mom would go window shopping with some of her friends. As children, my sisters and I always looked forward to my parents coming home with intriguing presents. My dad would also visit Russ & Daughters and purchase obscene amounts of candy that he had shipped home. Chocolate covered coffee beans, pastel chocolate mint lentils, and chocolate covered raspberry rings are the candies that I remember most. He would tell me stories about buying pretzels and roasted chestnuts from street vendors, shopping at B. Altman, Gimbels, and other now defunct stores; telling me tales that made it sound so magical.

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Reflections on RISD and Providence – The Good, The Sort of Bad, and The Beautiful

A few weeks ago, a young man from the Rhode Island School of Design (RISD) called me with a pitch about giving money to fund scholarships. He identified himself as a sophomore printmaking major and we had quite a nice chat. Unfortunately, I could not commit to giving anything to this worthy cause, due to my current financial circumstances. His call gave me the kick in the rear end to finally write this article – one that has been ruminating in the recesses of my brain for some time. In essence, I have come full circle since RISD and a brief explanation of how I got from there to here and back is required. I have exhibited my fine art over the years, but after a divorce in 1995, I found myself pretty much responsible for raising a then 7-year-old as a single mother. While I followed a career path in the non-profit sector that I did not anticipate, I discovered that it was indeed a good fit, in lieu of making a living from my fine art. This 18-year ride took me from a communications department administrative assistant and managing editor of newsletters – to national media relations director – to director of communications at a prestigious international medical association.

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