Home Posts tagged "Farm Security Administration"

Tag: Farm Security Administration

Jack Delano – Working on the Railroad All the Live Long Day

I’ve long admired the photography of Jack Delano, one of many talented photographers hired by the Farm Security Administration (FSA) and Works Progress Administration to document America, but knew little about him. When I discovered his masterful railroad photographs of Chicago, this provided inspiration to dig deeper. Born Jacob Ovcharov in the Russian Empire (now Ukraine) in 1914, he immigrated with his parents and younger brother to the U.S. in 1923, settling in NYC. In addition to his photography, he was a prolific music composer and wrote children’s books with his wife Irene. When he was a student at the Pennsylvania Academy of Fine Arts from 1928-1932, Delano won a Cresson Traveling Scholarship. During his four-month fellowship in Europe, Delano bought a tourist camera, sparking his interest in photography. It’s also at school, during a beer-soaked party, that his classmates convinced him to change his name. A female friend suggested her own – Delano, while Jack had been adopted earlier in honor of the boxer Jack Dempsey. In 1941, he was sent on assignment to Puerto Rico and the Virgin Islands by the FSA. This had such a profound influence on him, he moved there in 1946 after serving in the U.S. Army Air Corps as a photographer in the Pacific and South America. Soon after moving to Puerto Rico, Delano became the official photographer of the government, chronicling the island’s transformation from agriculture to industry.  The book Photographic Memories was published by the Smithsonian shortly before his death in 1997. In it, Delano was quoted, “Light, color, texture and so on are, to me, important only as they contribute to the honest portrayal of what is in front of the camera, not as ends in themselves.” During his long career, Delano photographed coal miners, sharecroppers, railroad men, and Puerto…

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A Visual Tribute to Barber Shops

As a fine artist and photographer, I’ve always been obsessed with barber shops – visually. I don’t particularly like going to beauty salons to get my hair cut. I think barber shops are far more interesting and less snooty. After graduating early from high school, I would go on outings with my mom (who is also an artist) on Lincoln Avenue in Chicago, where I photographed interesting storefronts. Even back then I was drawn to barber shops. My admiration of a few select photographers informed my early photographic work – especially those who worked for the Farm Security Administration, such as Walker Evans and Russell Lee, as well as the great photographer Berenice Abbott. All of them took wonderful photos of barber shops.     Back when I was an art student at RISD, I photographed quite a few barber shops in Providence and NYC. Unfortunately, I didn’t note where the NYC barber shops were located, however, I do remember one because of the circumstances. The below barber (on Lafayette Street) came outside when he saw me photographing the exterior. He volunteered to pose, which seemed nice enough. Nobody else was there and after he made a few suggestive comments and asked inappropriate questions, I high tailed it out of there rather quickly.     Many barber shops are still decorated with really cool ephemera and antiques that add to the appeal of getting your hair cut. An example is the JMC Barber Shop, which I stumbled upon last August in Elmhurst, Ill. I have never seen such a visual explosion covering every imaginable wall space – you couldn’t possibly get bored when you get your hair cut here!   While I prefer my vintage late 1970s black and white shots, I have taken color photos of barber shops when…

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Firing of Chicago Sun-Times Photographers Evokes a Torrent of Responses … Including Mine

The announcement on Thursday, May 30 from the Chicago Sun-Times that they fired/laid off all full-time photographers immediately evoked a torrent of responses from media outlets all over the country. I cannot help but wonder what the late Sun-Times film critic Roger Ebert would say about this – I think I hear him grumbling from movie heaven. Among those fired was John H. White, the Pulitzer Prize-winning photographer who blazed a trail for black photographers in the 1970s. I had the honor of meeting him at a Prevent Blindness America charity luncheon at Neiman Marcus in 2002, where he shot a few photos for the Sun-Times. For me, this announcement evoked a torrent of personal memories that started with an appreciation of documentary photography at the tender age of 11 – nurtured by a passionate interest in history and appreciation of visually powerful moments in time. When I was 12, my dad taught me how to develop black and white photos in a makeshift darkroom in our basement. I was immediately taken with the magic of pictures developing before my eyes in the chemical trays lined up on the rickety plywood shelving my dad had rigged up.

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