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What Manhattan Looked Like in the 1970s Through My Eyes, Part 2

All photos copyright Betsy van Die and available in high resolution from original negatives. Permission needed to reproduce. By the time I was in my second year at RISD, I considered myself a veteran visitor of NYC. I was attracted to Times Square and all the sordid sights. I never would have dreamed of photographing the seedier side of Chicago’s strip clubs in the South Loop. Somehow I felt emboldened being away from home and photographing in NYC.  Times Square was a far cry from my ivory tower art school existence in Providence and even farther from my idyllic suburban Chicago upbringing. I found Times Square both fascinating and repulsive and completely different than anything I had ever seen. I was not a total rube, having spent a lot of time as a kid in the City of Chicago itself – but NYC was unique and I was smitten. I shot a lot of B & W photos in Times Square, and in retrospect, I was lucky that nobody bothered me. But I have so many regrets regarding photos I didn’t take back in the day, including 42nd Street and the interiors of diners and bars. Probably best that I didn’t venture into the latter, since I was an attractive young woman by myself. November 1977 Tiger Sign Company, Bowery and Delancey I couldn’t find out anything about this business, but still love the signage.   Pearl Paint and Canal Street Jeans Canal Street was one of my favorite hangouts thanks to Pearl Paint, all the cool job lot stores, Canal Jean Co., a dingy little antique mall, and street vendors selling vintage stuff. Pearl Paint’s NYC demise reflected the passage of time and loss of my youth. It was one more sign of gentrification that has nearly destroyed the…

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What Manhattan Looked Like in the 1970s Through My Eyes, Part 1

All photos copyright Betsy van Die and available in high resolution from original negatives. Permission needed to reproduce. You might wonder why a Chicago native who has lived in the Windy City nearly all her life is so fond of the Big Apple and has an Instagram page dedicated to NYC in the 1970s. The answer can be traced back to my youth and coming of age when I was an art student at RISD. I took the Amtrak train from Providence to Penn Station many times during my four years at RISD, staying with my older sister in one of her many NYC apartments either in the Village or SoHo. I think the other reason I am enamored of NYC is that my dad was born in Brownsville, Brooklyn and while you can take the boy out of Brooklyn… Indeed, he adored NYC and made yearly trips there for many decades that combined work with pleasure. From the time I was a toddler until he was too old to travel, he would attend winter meetings of either the American Psychiatric Association or American Psychoanalytic Association in the Big Apple. My mom would hang out with the other wives during the day and my parents would go to art galleries, museums, and plays during his leisure time. He shared so many personal stories about NYC with me, both about his family and growing up in Brownsville, as well as about Manhattan, Coney Island, and the Catskills. And of course, he was a talented amateur photographer who taught me how to develop and print photos in our basement darkroom when I was just 12. It’s hard to forget my first NYC visit because my sister and I got our signals crossed and I waited in the wrong area of Penn Station….

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Homage to Howard Clothes and Times Square – Photo Documentary

As regular Consumer Grouch readers know, Howard Clothes is near and dear to my heart because it played a starring role in my dad’s family. While I have written pretty much everything I can already about Howard Clothes in three previous articles, I have since discovered many new photos. When I posted my first Howard Clothes article in September 2015, my dad has just been released from a four-month stay in the hospital and rehab after nearly dying from double pneumonia. By the time I posted my second article in January 2016, I had read Elaine Winik’s 1996 book entitled Still Looking Forward, which filled in some important details, along with hearing from many relatives of the founders. Elaine was the last surviving daughter of Sam Kappel, who founded this men’s clothing store with Joseph Langerman and Henry Marks. A few weeks later, I had the pleasure of talking to Elaine on the phone, and she graciously sent me a few clippings and photos that I added. Elaine passed away in September 2017, so she never got a chance to read the final chapter, which I posted in January 2020. My dad did, although he was nearly blind from macular degeneration by then and couldn’t see the images.  In September 2020, I finally decided to start an Instagram page devoted to NYC. Although the original intent was to showcase photos I took of NYC during my RISD years (1976-1980), I realized fairly quickly that I simply didn’t have enough vintage photos of my own to sustain this. Before my Brooklyn-born dad died of COVID-19 in December 2020, I promised him that I would honor his legacy by digitizing and posting vintage photos he took of his beloved NYC. I also looked for great vintage photos of NYC and gravitated to…

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Tribute to My Dad: His Creative and Cultural Influence on My Life

It’s hard to believe nearly six months have passed since my dad lost his valiant battle against COVID-19. This was my first Father’s day without him and I miss him dearly! But his creative, generous, and witty soul lives in my heart and mind until the end of time.      Art and culture infused my dad’s life with richness and he passed this love and appreciation down to all three of his daughters. My dad was a talented photographer and avid art collector and my mom is a fine artist. I inherited both of these talents and they nurtured them in me when I was growing up. I went to the Young Artists Studio at the School of the Art Institute the summer after 8th grade and my parents were thrilled when I was accepted to RISD, a dream I had since I was very young. During my youth through early adulthood, two of their artist friends mentored me – Bebe Krimmer and Caryl Seidenberg.  Art Museums and Galleries    My dad was a lifetime member of the Art Institute of Chicago and Museum of Contemporary Art (MCA) and I started going when I was quite young. I remember attending the 1967 opening of the MCA at 237 E. Ontario and seeing some crazy installations. They also had these weird vending machines with little artist stickers and I got one with photos of naked boobs which I misplaced shortly thereafter.   My dad was also a longtime member of several NYC museums including MOMA, the Met, the Jewish Museum, and The Morgan Library. He was a passionate art collector with an affinity for German expressionism and photography. The first print he ever bought was a portrait by Rembrandt, oddly from Phyllis Kind, who later was known for exhibiting and…

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Vintage Providence – a Photographic Journey on Weybosset Street

I have many fond memories of exploring downtown Providence during my art school days at the Rhode Island School of Design. It was somewhat decayed and run down and I liked that aspect.  I already wrote about historic buildings and personal memories of past haunts on Westminster Street, in an earlier and more comprehensive blog. The oldest street traversing downtown Providence, Weybosset Street curves along its length, intersecting with Westminster at the northeast end. The origins of Weybosset date back to the Pequot Indian Trail, which originally traversed the southern edge of Weybosset Hill at its northeast end. A bluff existed on the narrow eastern end of Weybosset Neck at the current site of the Turks Head building. The name used by Indians for the crossing point in the Providence River between the east and west sides was Waubosset, which means “at the narrow passage.” In the 18th to 19th centuries, various parts of Weybosset (especially from Dorrance to Chestnut Street) were called Broad Street, however, by 1893, the entire length was known as Weybosset. Until 1964, Weybosset curved north to meet Westminster in front of the Cathedral of Saints Peter and Paul. The western portion of the street was closed to create the Weybosset Hill Redevelopment Project parcel. And in 1978, the Westminster Center Project transformed the street into a uniform width from Mathewson to Dorrance Street, while creating a park like area on the street’s north side.   The Arcade, 65 Weybosset   Built in 1828, the Arcade is the nation’s oldest indoor shopping mall featuring Greek Revival columns, granite walls, and classic facades. I found a few charming trade cards from Arcade businesses, pictured in the above gallery. The Arcade is a commanding presence on both Westminster and Weybosset Streets. It was designated a National Historic Landmark…

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Connecting the Past to Present in NYC Photographs

Over the last two years, I have scanned black and white negatives and a few color slides I shot in NYC between late 1976 and 1980 when I was a student at the Rhode Island School of Design. My older sister lived in various apartments in SoHo and Greenwich Village and I visited every chance I got on school breaks. I enlarged and matted about 25 of these photos and took them with me when I moved to Rotterdam, the Netherlands in July 1980. I never printed any of the other photos, so scanning them provided an avenue of rediscovery of my own youth and a gritty NYC that no longer exists. This project summoned an array of emotions and memories about this “coming of age” period in my life and the inevitable passage of time.     In 1981, I showed these photos in Rotterdam and got some press, one of which was a little critical and missed the point of my photographs. The critic said that my photographs lacked the social commentary of Bruce Davidson’s work. Although I admire Davidson’s work, it was never my intention to emulate his socially conscious photography. A few select photographers informed my early photographic work – especially those who worked for the Farm Security Administration, such as Walker Evans, Russell Lee, Jack Delano, and the great photographer Berenice Abbott. Today, my photos have far more meaning than they did back then because they picture a NYC that no longer exists due to gentrification, over commercialization, and greed disguised as progress. NYC in the 1970s I was a little astonished that I ventured into areas that were considered dangerous back in the 1970s, as evidenced by many articles written on this dark and turbulent era in NYC history. Yes, the city was edgy and…

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Downtown Providence – A Nostalgic Stroll Down Westminster Street

When I was an art student at the Rhode Island School of Design, I loved exploring downtown Providence and taking photographs. In celebration of the 40th anniversary of my RISD graduation on May 24, 1980, I’ll be posting a series of blogs looking back – featuring historic photos and postcards. The first blog is about Westminster Street and some of the wonderful landmark buildings that still exist. Also included are now-defunct businesses I encountered during my RISD years, as well as long-forgotten ones from the late-18th to early 20th centuries. I fondly remember walking on Westminster all the way past downtown to Olneyville to buy jewels at Wolf E. Myrow. During my RISD years, the portion of Westminster in downtown Providence was a pedestrian mall and closed off to vehicles. I loved the somewhat seedy quality of downtown Providence and would likely bemoan its gentrification if I returned. Department Stores Woolworth: Located at 185 Westminster in a five-story building from 1920, I would buy things at this five and dime now and then, but it didn’t have the charm of my favorite Chicago Woolworth store.     Thom McAn: I remember this retail chain on Westminster since it was near Woolworth, but I never went inside nor purchased shoes from this brand. Their retail stores closed in the late 1980s after being bought by K-Mart and subsequently Sears, who still sells this brand – that doesn’t bode well, although I think Walmart also sells them. Lerner Shops: Located in the former Wilkinson Building (mentioned separately later) at 210–216 Westminster, I never shopped here, nor at the location on State Street in Chicago. Founded in 1918 by Samuel A. Lerner and Harold M. Lane in NYC, New York & Company purchased the company in 2004 and they’re still in business.   …

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Jack Delano – Working on the Railroad All the Live Long Day

I’ve long admired the photography of Jack Delano, one of many talented photographers hired by the Farm Security Administration (FSA) and Works Progress Administration to document America, but knew little about him. When I discovered his masterful railroad photographs of Chicago, this provided inspiration to dig deeper. Born Jacob Ovcharov in the Russian Empire (now Ukraine) in 1914, he immigrated with his parents and younger brother to the U.S. in 1923, settling in NYC. In addition to his photography, he was a prolific music composer and wrote children’s books with his wife Irene. When he was a student at the Pennsylvania Academy of Fine Arts from 1928-1932, Delano won a Cresson Traveling Scholarship. During his four-month fellowship in Europe, Delano bought a tourist camera, sparking his interest in photography. It’s also at school, during a beer-soaked party, that his classmates convinced him to change his name. A female friend suggested her own – Delano, while Jack had been adopted earlier in honor of the boxer Jack Dempsey. In 1941, he was sent on assignment to Puerto Rico and the Virgin Islands by the FSA. This had such a profound influence on him, he moved there in 1946 after serving in the U.S. Army Air Corps as a photographer in the Pacific and South America. Soon after moving to Puerto Rico, Delano became the official photographer of the government, chronicling the island’s transformation from agriculture to industry.  The book Photographic Memories was published by the Smithsonian shortly before his death in 1997. In it, Delano was quoted, “Light, color, texture and so on are, to me, important only as they contribute to the honest portrayal of what is in front of the camera, not as ends in themselves.” During his long career, Delano photographed coal miners, sharecroppers, railroad men, and Puerto…

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10 Female Artists I Didn’t Learn About in Art School

I’ve been reading old Art in America issues and it hit me like a ton of bricks that I learned only about a handful of female artists at the Rhode Island School of Design (RISD). I do remember the visiting artist Jackie Winsor talking about Eva Hesse and Ana Mendieta. On the other hand, we were introduced to many female authors and several famous ones gave lectures. I met Elaine de Kooning, who was a guest lecturer during my art history class with Baruch Kirschenbaum freshman year. She showed us photos of the sketches for her commissioned JFK painting, among other pieces. It made sense that she was invited to RISD – apparently she was tight friends with Lee Hall, then president of RISD. Hall would betray her good friend four years after de Kooning’s 1989 death from lung cancer in her book, Elaine and Bill: Portrait of a Marriage / The Lives of Willem and Elaine de Kooning. By all accounts, this was a salacious, tell-all, shoddily researched book with mediocre writing that was butchered by critics. I think the reason we didn’t learn about more female artists was tied to the era in which I went to RISD, 1976 – 1980. Moreover, many female artists who later gained fame were virtually unknown when I was in art school. So in honor of Women’s History Month, here are 10 trailblazing female artists I’m glad I learned about – better late than never. This list barely scratches the surface, but it’s a start.   Grace Hartigan (1922 – 2008): I certainly was aware of Helen Frankenthaler and Joan Mitchell, but somehow didn’t know anything about Hartigan until recently. Interestingly, she was the first female Abstract Expressionist to gain fame in 1950, when art critic Clement Greenberg and art historian Meyer…

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A Visual Tribute to Barber Shops

As a fine artist and photographer, I’ve always been obsessed with barber shops – visually. I don’t particularly like going to beauty salons to get my hair cut. I think barber shops are far more interesting and less snooty. After graduating early from high school, I would go on outings with my mom (who is also an artist) on Lincoln Avenue in Chicago, where I photographed interesting storefronts. Even back then I was drawn to barber shops. My admiration of a few select photographers informed my early photographic work – especially those who worked for the Farm Security Administration, such as Walker Evans and Russell Lee, as well as the great photographer Berenice Abbott. All of them took wonderful photos of barber shops.     Back when I was an art student at RISD, I photographed quite a few barber shops in Providence and NYC. Unfortunately, I didn’t note where the NYC barber shops were located, however, I do remember one because of the circumstances. The below barber (on Lafayette Street) came outside when he saw me photographing the exterior. He volunteered to pose, which seemed nice enough. Nobody else was there and after he made a few suggestive comments and asked inappropriate questions, I high tailed it out of there rather quickly.     Many barber shops are still decorated with really cool ephemera and antiques that add to the appeal of getting your hair cut. An example is the JMC Barber Shop, which I stumbled upon last August in Elmhurst, Ill. I have never seen such a visual explosion covering every imaginable wall space – you couldn’t possibly get bored when you get your hair cut here!   While I prefer my vintage late 1970s black and white shots, I have taken color photos of barber shops when…

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